Who Am I Writing for, and Incidentally, Who Am I?
January 4, 2002
Get to Know the Audience of One
The very concept of an audience is stained with the word's
original meaning—a large group of people listening to a
speaker. The traditional audience was a mass. Before the Web, we
tended to think of our audience as a rather vaguely defined crowd
or, perhaps, as a collection of several groups, each of which had
a di¤erent interest in our subject matter. A single speech, book,
or document would address all these groups, we hoped.
Your audience is one single reader.
I have found that sometimes it
helps to pick out one person
— a real person you know, or
an imagined person—and write
to that one.
— John Steinbeck
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On the Web, though, the mass audience is crumbling. In its place,
small groups are emerging, forming around common interests, aims,
jobs, politics, hobbies, or obsessions. And within these groups,
we see individuals arising, demanding that we deliver information
specifically tailored to their personal taste. We are moving from
a writing situation in which one author addressed a single vast
audience to a process in which many individuals exchange
information with each other, aided by some people who do more
writing than others.
I know I am solid and sound,
To me the converging objects of the
universe perpetually flow,
All are written to me, and I must
get what the writing means.
— Walt Whitman, Leaves of Grass
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The mass audience was always just a convenient fantasy, allowing
us to ignore the complexity of groups with competing aims, and
within those groups, individuals, each with a unique perspective.
We had no way of knowing each person we were writing to, back
then, and we had little useful information about the groups they
might be segmented into by marketers intent on persuading them to
buy. We were forced to guess what people needed, and we often
imagined that the audience was a lot like us and our teammates.
As a result, we often failed to connect with people in a
meaningful way.
You can't hold a conversation with a faceless cloud of people, a
generalized audience such as "beginners" or "experts." You won't
get your point across. You will lose them one by one.
The more you know about your visitors, the better you can
write for them
When you actually know a lot about the people you are writing
for, you can tailor your site to their needs. For example, you
can:
- Come up with more of the topics they want.
- Organize those topics the way these people think.
- Use words that they use.
- Adopt a tone they find congenial.
- Tailor your words to the relationship you have developed with
them.
In these ways, you allow your visitors to influence the way you
write. In a real conversation, you are always aware of the way
the other person is reacting — where they nod, when they
lunge forward hoping to interrupt, and so on. You adapt your
words and tone to indicate how you regard the other person, what
you want, where you are going. But when you do not have the full
bandwidth of direct human contact, you have to guess what the
other people think of you, how you are going to relate to them,
what they want to hear, and what you want to say to them.
Armed with information, access, and power, today's customers
can dictate new practices and policies faster than your firm is
likely to be able to implement them. — Patricia
Seybold, Ronni Marshak, and Jeffrey Lewis, The Customer
Revolution
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The more sensitive you are to online conversation and its
nuances, the more you can eliminate the odd quirks, biases, and
focal points in your prose, so it begins to seem transparent to
the readers, that is, you do not rub them the wrong way with your
own personal agenda. In part, you are erasing your own
originality, but you're doing this for a reason: To make contact,
to make sense, to convince, to reach out to this other person.
How sociable!
Do you really know your audience? We write for ourselves, for our
boss, for our team. Oh, and incidentally, we may draw on the
little we know about our audience, too, but that doesn't take us
very far. So we soon forget it.
In hundreds of meetings, we have heard clients, bosses, and peers
announce that the target audience is, well, beginners, oh, and
some experts, too. Enough said. On to the next agenda item.
In situations like that, writers tend to write for each other or
the team, rather than the actual consumers of the information.
Result: consumers find the prose impenetrable, and gripe about
the frightening amount of jargon, the unfriendly tone, and the
confusing way the material is organized.
Info consumers are not you. To psyche out what topics really
matter to your many different audiences and to develop a tone
that works for individual members of that crowd, you need to
learn more about them as members of particular niche groups, and,
more important, as unique individuals.
Hot Text: Web Writing that Works
Information Consumers Are Pushy - Page 2
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