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Internet and Web Law

Resources on Copyright and Trademark Issues for the Web

Internet and Copyright Law

Lee Creek
The need for copyright protection has long been apparent. As the Internet has became more prevalent, the need for copyright protection there has also become a necessity. This article covers the basics of copyright law and the Internet.

The Cyberspace Law Institute
The Cyberspace Law Institute studies, and helps to develop, the new forms of law and law-making required by the growth of global communications networks and online communities. We believe, fundamentally, that thorough and open-minded discussion of the new issues posed by the growth of the global network can make a significant contribution to the continued orderly settlement of this new territory. The CLI will gather together, under one (virtual) roof, leading thinkers on the legal issues emerging in this new environment of computer-mediated communications. Its goal is to foster focused consideration of "real world" questions regarding the law of the Net, concrete proposals for the adoption of specific rules to resolve existing conflicts (and, where appropriate, the mechanisms pursuant to which such rules can be adopted).

U.S. Copyright Office
This site provides access to the entire U.S. Copyright Office. Here is complete copyright information, filing information, forms, legal briefs and much, much more.

10 Big Myths about copyright explained
An attempt to answer common myths about copyright seen on the Net and cover issues related to copyright and USENET/Internet publication.

The Copyright Website
This site endeavors to provide real world, practical and relevant copyright information of interest to infonauts, netsurfers, webspinners, content providers, musicians, appropriationists, activists, infringers, outlaws, and law abiding citizens. Launched on May Day 95, this site seeks to encourage discourse and invite solutions to the myriad of copyright tangles that currently permeate the Web; The Copyright Website strives to lubricate the machinations of information delivery.

Web Law FAQ
Here are some frequently asked questions relating to the World Wide Web, answered by Oppedahl & Larson. Also noteworthy, are Carl Oppedahl's articles on Internet domain names, such as Remedies in Domain Name Lawsuits: How is a domain name like a cow?, published in this issue of The John Marshall Journal Of Computer & Information Law.

Copyright on the Internet

Thomas G. Field, Jr.
Copyright encourages the creative efforts of authors, artists and others by securing the exclusive right to reproduce works and derive income from them. Copyright arises automatically as soon as some aspect of a protectable work has been fixed in a tangible medium (such as an Internet server). Notice is not required; registration is required only if legal action is warranted and the work originates in the U.S. (Apologies to those abroad, but this is hereafter presumed.) However, giving notice (such as at the bottom of this page) and promptly registering works provide legal advantages. Those advantages are explained in this article, along with basic limits to copyright protection. This discussion focuses on copyright issues most apt to concern those who post to or own email lists or those who have put up Web pages — as well as to those who might want to use another's e-mail posting or to copy material from another Web page.

Copyright in Software

Thomas G. Field, Jr.
Copyright encourages the creative efforts of authors, artists, and others by securing the exclusive right to reproduce works and derive income from them. The fact that graphics and text appear on a computer screen or that written material is intended to control the operation of computer hardware, at least in the U.S., no longer casts doubt on its being proper copyright subject matter. Copyright arises automatically once an original effort has been started and some aspect of it has been fixed in a tangible medium. One need not even have notice on published copies. Registration is required only if legal action is warranted (and the work originates in the U.S. — something hereafter presumed in this discussion). However, giving notice and promptly registering works provide significant advantages in the U.S. Those advantages are explained in this article, along with basic limits to copyright protection, issues to be considered in transferring copyright interests, and the fundamental distinction between works that are and are not "for hire."



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